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  • Sarah Monaghan

REVIEW - A DOLL'S HOUSE | CRUCIBLE THEATRE SHEFFIELD | 27/09/2024


A DOLL'S HOUSE ARTWORK

ALL ABOUT THEATRE FIVE STAR REVIEW

Henrik Ibsen’s A Doll’s House has long been regarded as a groundbreaking play, challenging the social norms of its time with its unflinching examination of marriage, gender roles, and personal freedom. This new adaptation by Chris Bush, directed by Elin Schofield, brings a fresh perspective to the classic work while maintaining its powerful core. With Bush’s knack for emotionally truthful storytelling, previously showcased in Standing at the Sky’s Edge, this collaboration promises a thought-provoking production.


Siena Kelly (Nora) and Tom Glenister (Torvald) in A Doll’s House. Photo by Mark Douet

“A Doll's House” follows the journey of Nora Helmer, who appears to live a picture-perfect life with her husband, Torvald, and their children. Their home, with its detailed exterior and cozy atmosphere, reflects the domestic ideals of a 19th-century family. However, beneath the surface, Nora harbours a secret—years ago, she illegally forged her father’s signature to secure a loan in order to save Torvald’s life. This decision, made out of love, now threatens to unravel her carefully maintained life.

Torvald, her husband, embodies society’s patriarchal values, viewing Nora more as a possession than a partner. He holds rigid expectations for her as his wife and the mother of his children. When Nora’s deception is revealed, Torvald’s reaction is not one of understanding or gratitude, but of anger and concern for his own reputation. This moment forces Nora to confront the reality of her marriage and the constraints of the role she has been playing.

As the story reaches its climax, Nora undergoes a profound transformation and she ultimately makes the radical decision to leave her family and pursue her own identity, no longer willing to be confined within societal expectations.


Mel Lowe (AnnaPianist) in A Doll’s House. Photo by Mark Douet

Chiara Stephenson’s set design is one of the standout elements of the production. The dollhouse-like structure perfectly mirrors Nora’s life, capturing the feeling of being watched and controlled. The set cleverly opens up, allowing the audience to peer into the Helmers' home as if it were a fragile, breakable toy. Richard Howell’s lighting masterfully complements this atmosphere, using shadows and stark contrasts to underscore Nora’s emotional turmoil. The period costumes by Stephenson are beautiful, with subtle modern touches that reflect Nora's transformation. Nicola T Chang’s haunting score, combined with live piano accompaniment by Melissa Lowe, adds an evocative layer of tension and emotion, heightening the drama at key moments.


Eben Figueiredo (Krogstad) and Eleanor Sutton (Christina) in A Doll’s House. Photo by Mark Douet.

Siena Kelly delivers a magnetic performance as Nora, effortlessly transitioning between the playful, almost childlike wife and the resolute woman taking back control of her life. Her portrayal is nuanced, capturing the vulnerability and inner strength of the character. Tom Glenister’s Torvald is equally impressive, embodying the complexities of a man torn between love and his patriarchal views. Their final confrontation is gripping, with both actors fully immersing the audience in their characters' emotional turmoil. The supporting cast, including Aaron Anthony as Dr. Rank, Eleanor Sutton as Christina, and Eben Figueiredo as Krogstad, all deliver strong performances. Figueiredo’s Krogstad, in particular, stands out as a character torn between morality and self-preservation.


Siena Kelly (Nora) in A Doll’s House. Photo by Mark Douet.

Chris Bush’s adaptation of A Doll’s House breathes new life into Ibsen’s classic, delivering a fresh yet faithful take that resonates deeply with contemporary themes of identity, freedom, and societal expectations. Elin Schofield’s assured direction ensures the emotional beats land with impact, while the stellar performances from the cast, particularly Siena Kelly as a captivating Nora, bring depth and nuance to the complex characters. Overall, it expertly weaves together timeless themes of self-discovery, control, and liberation, leaving a lasting impression that makes this production of A Doll's House a must-see.



A Doll's House is running at the Crucible Theatre in Sheffield until Saturday 12th October 2024 you can purchase tickets by clicking on the button below.





Photo Credit - Mark Douet


*Our tickets for this show were kindly gifted in exchange for an honest review.












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