After the Act, the vibrant 80s-inspired musical from Breach Theatre, boldly tackles the controversial legacy of Section 28, the UK legislation that prohibited the "promotion" of homosexuality in schools. Conceived by writers Ellice Stevens and Billy Barrett, the musical draws from real interviews and media sources of the time to showcase the voices of teachers, students, and activists impacted by this repressive law. With its combination of humour, heartache, and activism, After the Act merges history and art in a uniquely unapologetic, camp fashion that celebrates the LGBTQ+ community’s resilience while examining the law’s lasting shadow.
The musical chronicles a nation divided by Section 28, moving from classrooms and parliamentary debates to impassioned street protests. Each scene brings forth a different perspective, with characters shifting from young students facing societal scorn to parents grappling with media-fuelled fear, and ultimately, to the activists and educators who refused to remain silent. The show weaves these diverse narratives into a cohesive portrayal of a generation that turned personal struggle into public resistance. The raw authenticity of the dialogues—a result of verbatim interviews—enhances the urgency of these voices, resonating deeply with the ongoing fights for equality.
The set for After the Act, designed by Bethany Wells, cleverly recreates a school gymnasium, using benches, gym apparatus, and a looming climbing frame to evoke the setting and time period. This gym setup not only resonates with the nostalgic schooldays of many but also serves as a symbolic reminder of the challenges faced by LGBTQ+ students under Section 28. With minimal props that double as seats, barriers, and even platforms, the stage’s flexibility allows for seamless scene changes, heightened by the cast’s dynamic manipulation of the set during scenes.
Zakk Hein’s impactful video projections animate the backdrop, displaying key headlines and locations that ground each scene firmly in history. These visual cues enrich the storytelling, while Jodie Underwood’s lighting design expertly highlights the show’s emotional spectrum—from oppressive shadows to bright, hopeful hues as the characters seek freedom.
The costumes further reinforce the era, with sharp power suits and eye-catching colours capturing the bold 80s aesthetic. Composer Frew provides an engaging live soundtrack, his synth-heavy score adding an 80s pop feel. The music is skillfully integrated into the action, though its intensity at times makes it difficult to distinguish lyrics. Still, Frew’s presence onstage enhances the atmosphere, creating a raw, immersive experience that complements the cast’s vocals and brings the emotional depth of the narrative to life.
After the Act showcases an exceptionally talented ensemble, with co-writer Ellice Stevens, Ericka Posadas, Nkara Stephenson, and Zachary Willis each delivering a range of characters with impressive ease and authenticity. The cast of four demonstrates remarkable versatility, bringing every role to life with depth and sincerity.
Ellice Stevens shines with striking duality. Her sharp wit and commanding presence capture the iconic Margaret Thatcher perfectly, while her portrayal of a teacher struggling between personal sacrifice and professional duty is equally powerful. Stevens brings this character’s inner conflict and heartbreak to life, revealing the emotional toll of hiding one’s true self.
Nkara Stephenson is equally compelling, delivering a charged performance that highlights their vocal and dramatic range. As a young person forced to undergo conversion therapy, Stephenson’s portrayal is harrowing and deeply moving, capturing the vulnerability and anguish of this experience. Their ability to navigate intense roles with ease makes each character distinct and memorable.
Ericka Posadas brings a captivating mix of strength and vulnerability to her roles, especially in her portrayal of Maya, a passionate lesbian activist. Moving from fervent campaigner to stern politician, Posadas infuses Maya with fierce determination while grounding her in emotional complexity, adding depth to the impact of Section 28 on her life.
Zachary Willis impresses with his versatility and attention to detail. From a spirited Danish schoolgirl to an angry Scottish father, he brings humour and empathy to every role. His portrayal of Ian, a man deeply scarred by Section 28, is especially poignant, handling themes like self-harm with grace and sensitivity.
Together, these four actors create a seamless, emotionally resonant performance, bringing humour, heart, and humanity to a story that feels both deeply personal and universally significant.
After the Act is a powerful, thought-provoking and poignant piece of theatre, merging wit and heartbreak to illuminate an important chapter in LGBTQ+ history. The musical’s playful choreography, historical accuracy, and impactful performances offer audiences a memorable experience that balances laughter with moments of sober reflection. By celebrating activism and resilience, After the Act serves as a powerful reminder of the ongoing journey toward LGBTQ+ rights—a journey that remains ever-relevant. Through its infectious energy and profound message, this musical doesn’t just revive history; it inspires hope and determination to continue fighting for equality.
After the Act is on at Home Manchester until Saturday 16th November 2024, you can purchase tickets by clicking on the button below.
If you would like more information about the show click the button below for the show's official website.
Photo Credit - Ali Wright
*Our tickets for this show were kindly gifted in exchange for an honest review.
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